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	<title>Pulse Ensemble Theatre</title>
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		<title>Brian Richardson, Company Manager</title>
		<link>http://pulseensembletheatre.org/archives/1496</link>
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		<pubDate>Sat, 11 Feb 2023 20:01:03 +0000</pubDate>
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		<description><![CDATA[BRIAN RICHARDSON was born in Belize and raised in Trinidad and Tobago. He began acting in Trinidad in 1981. He is now based in New York.  In addition to W.E.B. Du Bois, he has appeared with the Harlem Summer Shakespeare as &#8230; <a href="http://pulseensembletheatre.org/archives/1496">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p><strong><a href="http://pulseensembletheatre.org/wp-content/uploads/brian-richardson-headshot-2-e1509567158227.png"><img class="wp-image-1497 alignright" src="http://pulseensembletheatre.org/wp-content/uploads/brian-richardson-headshot-2-e1509567158227.png" alt="brian-richardson-headshot-2-e1509567158227" width="256" height="176" /></a>BRIAN RICHARDSON</strong> was born in Belize and raised in Trinidad and Tobago. He began acting in Trinidad in 1981. He is now based in New York.  In addition to <em>W.E.B. Du Bois</em>, he has appeared with the Harlem Summer Shakespeare as <strong>Macbeth</strong>, <strong>Prospero</strong>, <em>The Tempest</em>, <strong>Malvolio</strong>, <em>Twelfth Night,</em>  <strong>Jaques</strong>, <em>As You Like It</em>. Other NYC productions include <em>Night Must Fall</em>, <em>The Lower Depths</em>, and <em>Race</em>.  He has also performed with Bristol Riverside Theatre, Barter Theatre, The Metropolitan Playhouse, The Bushnell Theatre, J City Theatre, The National Black Theater Company and others.  TV credits include: <em>Atlanta, The Politician, Law and Order </em>and Baz Luhrmann’s <em>The Get Down</em>.  Movie credits: <em>Time out of Mind</em>, <em>Coming to America, Hunger</em> and <em>Sid’s New Glasses. </em>SAG-Aftra, AEA</p>
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		<title>Christine Cirker, Associate Producer</title>
		<link>http://pulseensembletheatre.org/archives/1492</link>
		<comments>http://pulseensembletheatre.org/archives/1492#comments</comments>
		<pubDate>Sat, 11 Feb 2023 19:49:04 +0000</pubDate>
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		<description><![CDATA[Christine Cirker (she/her) is an Off-Broadway director and producer, focusing primarily on new work. Most recently she directed My Shiksa Boyfriend (United Solo Festival/NYC 2022) and By The Way, Meet Vera Stark and The Cake for The Naples Players (FL).  New &#8230; <a href="http://pulseensembletheatre.org/archives/1492">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p><strong><a href="http://pulseensembletheatre.org/wp-content/uploads/IMG_9637.jpeg"><img class="wp-image-1493 alignright" src="http://pulseensembletheatre.org/wp-content/uploads/IMG_9637-768x1024.jpeg" alt="IMG_9637" width="116" height="149" /></a>Christine Cirker</strong> (<em>she/her</em>) is an Off-Broadway director and producer, focusing primarily on new work. Most recently she directed <em>My Shiksa Boyfriend</em> (United Solo Festival/NYC 2022) and <em>By The Way, Meet Vera Stark</em> and <em>The Cake</em> for The Naples Players (FL).  New York directing credits include works presented by Urban Stages, Emerging Artists Theatre, LES Festival, Lucille Lortel, Pulse Ensemble, Core Ensemble, Neighborhood Playhouse, Our Workshop East, Resonance Theatre, and others. Christine has been a member of The Barrow Group community for 20+ years. Notable productions include <em>Awake</em> by K. Lorrel Manning (Associate Director/ Dramaturg), <em>Perp</em> by Lyle Kessler (Assistant Director). With Lee Brock, she is producing director for F.A.B.Women@tbg (TBG’s women’s development group) where she has directed and produced since 2010. NY producing credits include: <em>Strings Attached</em> (Pulse Theatre), <em>Letters to Sala</em> by Arlene Hutton, Renata Hinrich’s <em>Random Acts</em>, Jean Taylor’s <em>The Basement Plays, The R Word</em> and <em>Downsizing</em> for Our Workshop East and <em>Einstein &amp; Mileva</em> (Theatre Row). Graduate of University of Michigan. Board Member of The League of Professional Theatre Women.</p>
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		<title>Lezley Steele, additional information</title>
		<link>http://pulseensembletheatre.org/archives/798</link>
		<comments>http://pulseensembletheatre.org/archives/798#comments</comments>
		<pubDate>Tue, 21 Jan 2014 02:27:53 +0000</pubDate>
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		<description><![CDATA[LEZLEY STEELE, Brief resume]]></description>
				<content:encoded><![CDATA[<p>LEZLEY STEELE, Brief resume</p>
<p><a href="http://pulseensembletheatre.org/wp-content/uploads/Lezley-Steele-resume-2.jpg"><img class="aligncenter size-full wp-image-799" title="Lezley Steele's resume " src="http://pulseensembletheatre.org/wp-content/uploads/Lezley-Steele-resume-2.jpg" alt="Selected biography" width="1700" height="2338" /></a></p>
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		<title>Playwrights&#8217; Lab. Application Form</title>
		<link>http://pulseensembletheatre.org/archives/793</link>
		<comments>http://pulseensembletheatre.org/archives/793#comments</comments>
		<pubDate>Tue, 21 Jan 2014 02:02:48 +0000</pubDate>
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		<guid isPermaLink="false">http://pulseensembletheatre.org/?p=793</guid>
		<description><![CDATA[PLAYWRIGHTS&#8217; LAB.  APPLICATION FORM Name:  ___________________________________ Address:              ___________________________________ ____________________________________ Phone Number:               _____________________________(day) _____________________________(Home) _____________________________(service) E-MAIL__________________________________ How many Plays have you written ?  ____________________ Full Length______  One Acts________ How many plays have you had produced ? _______ Where ? ________________________ &#8230; <a href="http://pulseensembletheatre.org/archives/793">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p><span style="font-size: large;"><strong><span style="text-decoration: underline;">PLAYWRIGHTS&#8217; LAB.  APPLICATION FORM</span></strong></span></p>
<p>Name:  ___________________________________</p>
<p>Address:              ___________________________________</p>
<p>____________________________________</p>
<p>Phone Number:               _____________________________(day)</p>
<p>_____________________________(Home)</p>
<p>_____________________________(service)</p>
<p>E-MAIL__________________________________</p>
<h1>How many Plays have you written ?  ____________________</h1>
<p>Full Length______  One Acts________</p>
<p>How many plays have you had produced ? _______</p>
<p>Where ? ________________________</p>
<p>&nbsp;</p>
<p>Were you happy with the production/s ?</p>
<p>&nbsp;</p>
<p>What do you specifically want to get out of this Workshop ?</p>
<p>&nbsp;</p>
<p>What do you think are your strengths as a playwright ?</p>
<p>&nbsp;</p>
<p>What do you think are your playwrighting weaknesses ?</p>
<p>&nbsp;</p>
<p>What is the name of the play you will begin working on ?</p>
<p>&nbsp;</p>
<p>Production history of this work ?</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
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